Edinburgh Fringe 2005 | home |
Where in previous years I have detailed the minutiae of my Fringe experience, this year, I'm going to list the shows I saw and give each a star rating. The star rating will probably make me unpopular with people reading my review, but that's the problem with having an opinion.
Saw 18 shows this year
Show |
Review |
4th August |
|
22.30 - Scotland 4 Australia 1 ** Baby Belly 2 |
This preview didn't do the show any favours. The video
projector wasn't working, so a large number of pre-recorded sketches and
inserts were missing. This pretty much destroyed the show. It's not fair to
review a show on that basis, but there were, in the bits they managed to
execute, a few obvious flaws nonetheless. The show was not a stand-up show,
yet they inserted four 5 minute stand-up sets, interrupting the performer
from backstage when their time was up. The show was not about music, but
there were, perhaps, one too many songs in it. Even the bits of recorded
material that did work looked like they may be hit and miss. There were some highlights and the show had potential. It also had a packed and happy house, so it was enjoyable in some ways. At the very end, the sheer stage presence of Paul Pirie managed to reduce me to tears of laughter.
|
10th August |
|
20.00 - Richard Herring: Someone Likes Yoghurt *** Pleasance Above |
I've been a Richard Herring fan over the years. I've read
his blog, I've enjoyed his radio and TV work, and I've seen a good number of
his Fringe shows. In short, I had high expectations for his return to
stand-up. I could see what Richard was trying to achieve with this show. He was using a sort of Socratic logic to take ideas to their extremely logical, yet genuinely futile and absurd conclusion. The point? Well, in his mind, he was challenging preconceptions, possibly the audiences, possibly his own self-doubt. In reality, he was showing off and the audience only partially came along for the ride. The showman in him, couple with a huge number of years' experience as writer and performer, allowed him to gloss over the cracks in this show with a summary at the end. I would rather he'd produced something more entertaining.
|
21.15 - Priorite a Gauche - Remastered **** Baby Belly 1 |
In many ways this was just last year's show, repackaged and
moved to a venue more likely to bring a crowd. Priorite a Gauche are a spoof French pop duo. They've been around for years and their part-french, largely-English brand of music and comedy is inspiring and well crafted. A lot of this show is not laugh-out-loud funny, but where it wasn't, it was extremely enjoyable in other ways. Musically, these guys create miracles with their combination of guitar, acoustic fretless bass and the occasional Ukulele. I bought their CD and I would recommend their show.
|
23.00 - Frank Hovis in Filth *** Gilded Balloon |
Frank Hovis was a character in the TV sketch show
Absolutely. I loved the character when I watched it as a student in the
early nineties and I remember some of the routines by heart. In this show, removed from the seat of his lavatory, Mr Hovis (a.k.a. John Sparkes) regails us with ludicrous stories and crap old jokes. And we love it. We laugh as he sloshes his beer around and growls songs as us, and we squeal with delight as he tells scatalogical tells of his wife's anus. Incredibly good fun. I giggled for 20 minutes afterwards. The show isn't all that great, but it was a welcome return for an old friend.
|
12th August |
|
22.30 - Scotland 4 Australia 1 ** Baby Belly 2 |
Yes. I saw this show again. It was a different show and it
had some stand-out moments. However, it was still relatively flawed and it
seemed to be a competition between members of the cast over who could steal
the limelight.
|
13th August |
|
10.45 - Mudfinger * Underbelly |
Quite simply the biggest load of drivel that you'll find on
the Fringe. I laughed my arse off... I'd laugh like that at "America's most
hilarious road accidents" - it's all you can do under the circumstances. Mudfinger is the work of a diseased brain. That there were kids involved was simultaneously funny and scary. Luckily, the guy doing it appears to be more likely to get himself into a scrape than his audience. The children had the better of him from the off. His repetitive and dull material was stretched out to an hour and the only amusement came from his incompetence.
|
14th August |
|
16.40 - Die Clatterschenkenfietermaus **** Cafe Royal |
Spoof music duo Karl and Karl are the world's worst Techno Pop band. In truth they are two delightfully well constructed characters who hold an audience in the palm of their hand with their dark brand of comedy. The crowd were not making it easy for this pair, but the show still moved along at a cracking pace and broke through the reservations of the somewhat reticent Sunday afternoon audience. Absolutely cracking, and there's a lot more material than they used. Perhaps a two hour theatrical piece next time?
|
17.45 - Gavin and Gavin - Colonic Irrigation for our Souls |
Do you see what they did there? Our souls? Arseholes?
Colonic irrigation!? Brilliant. Well, no, not really. You would imagine that a sell-out show at the Assembly Rooms at a respectable time of day would be a good show in itself. The branding would suggest so. I had heard of the pair (I think I saw them flyering last year) but I didn't have any pre-conceptions. The show was bordering on the awful, though it kept having these moments of genuine comedy as this pair of 30-something sisters slapped each other about and did their best at character comedy. In truth it was two amateurish performers pissing about. It had "vanity project" stamped all over it.
|
15th August |
|
18.00 - The Ukulele Orchestra of Great Britain - Anarchy
in the Ukulele ***** Pleasance Beyond |
This show was simply stunning. The cast of 7, five men, two
women, playing 6 ukuleles and an acoustic bass (with a few changes here and
there) made magic. With arms flailing around on their tiny, almost novelty,
instruments, contrasting against the staid Royal Philharmonic Orchestra look
of their attire, there was a natural comedy to the proceedings. When the in-between song banter came around it was quintessentially British, slightly corny, and gentle fun. That's what these guys do and they do it well. Some moments were hilarious - like the physical comedy of different players running round with open-tuned ukuleles to two players who needed the right instrument near them at the right moments. Other moments were just clever - like the reconstruction of the theme to The Good, The Bad and The Ugly. Perhaps their more intelligent arrangements, like 7 songs in one, or the slavonic dance version of Leaning on a Lamppost, were the highlights, but in truth, the whole show was a highlight.
|
22.45 - The Congress of Oddities *** Pleasance Attic |
Character comedy can be quite self-absorbed, as the backplot
of the characters can eclipse the entertainment value. In this show, the
performers simply are funny. All the time. Their characters have nuances to
exploit, and the show had some sort of plot, but the combination of bold
posturing, pathos and silliness, gave the audience the biggest laughs. It
was enjoyable stuff, though perhaps it lacked a great deal of structure.
They over-played the modern-songs-done-in-victorian-style gag a little, but
we didn't really care.
|
00.00 - Good Doctor * Arcade Bar |
There was nothing good about this show, which was a classic
"two students messing about" piece. Lots of words, not a great deal of
meaning and not a great deal of entertainment value. Sorry lads. Nice try,
but ask not "how do I put on a show" and more "why bother putting on a
show?".
|
16th August |
|
12.00 - Twelfth Night - The Musical *** Assembly Rooms |
Gyles Brandreth's previous show - Zipp - was worth watching
twice, so I was motivated to come along and see what his latest offering had
to offer. This show had a professional gloss to it and was generally entertaining. The talented cast ripped through Shakespeare's text, relatively unedited, with occasional diversions into a modern-day musical number. There was no real pleasure in the interpolation of these songs into the piece, but it was harmless family fun and reasonably enjoyable.
|
17th August |
|
18.25 - Jerry Sadowitz - Close up magic **** Assembly Rooms |
Outstanding slight of hand tricks that were impossible to
see through, even though I had some idea of where to look. In addition, the
in-between trick banter was some of the most powerful and offensive comedy
I've ever heard. It helped with his misdirection, and left mouths agape.
|
21.00 - Dalton Trumbo's Reluctant Cabaret *** South Side |
A combination of character and musical comedy. The reluctant
cabaret is a four piece troupe, who blend odd behaviour with wordplay and
set it to music. I had heard enough about these guys to be excited about seeing them. Their performance was very strong, but the density of jokes was not. However, it was fun stuff and definitely within the spirit of the fringe.
|
22.15 - Tim Minchin - Dark Side **** Gilded Balloon |
This show was excellent. Tim Minchin is a superb pianist and
his uber-quirkiness provided the hook which kept a full-house in one of the
larger venues (Gilded Balloon debating hall) on the edge of their seats, not
wanting to miss a thing. The combination of virtuoso playing and excellent writing was enthralling and surprisingly touching in places. Add to this a touch of the slapstick and you have the perfect show.
|
19th August |
|
13.45 - Bad Play 3 *** C Venues |
I've been a fan of the Bad Play team (a.k.a. The Trap) for
the last few years. This year's offering was just as mystifying as the first
two Bad Plays, though the laughs were not quite as intense as they have been
in previous shows. A strange bit of banter with a deaf guy in the audience may or may not have been staged. However, with a combination of incomprehensible script, appalling performances, technical foul-ups, bad props (including a remote control flying saucer), the boys made the hour fly past very pleasantly.
|
17.15 - The Trap **** Pleasance |
The Trap is a sketch show which I have also seen for the
past few years. The strong performances on the part of the cast are backed
up by some of the finest sketch writing I've ever seen on the Fringe. This
was definitely their strongest show so far, with excellent running themes,
which came together beautifully at the end. With additional backwards sketch
writing and the tenacity to pull of a slow-burning joke, the trap again
proved themselves one of the powerhouse-acts of the Fringe.
|
18.40 - Tim Vine - Current Puns **** Pleasance |
What do you get when you take a world-record-holding
one-liner-delivering comedian and let him loose on an audience for an hour?
A side splitting series of puns, groaners and gems of humour. Where some
acts make the most of the hard-to-write one-liner, Tim Vine fires them out
at an incredible rate - sometimes in excess of one every six seconds. The
pleasure of this is that if you don't like the joke you're hearing, you
don't have long to wait for another one which you may prefer. The show was subtitled "an onslaught" and there's no better way to describe the effect of Mr Vine in full swing. Things were padded out a bit with songs, which served to give the audience a breather, more than anything else. I was still laughing 30 minutes after the show ended. This happened with only one other show I saw this Fringe - Frank Hovis. |
Written between: 22 August 2005 and 29 May 2006
Ashley Frieze